Alice Bucknell is an artist, writer, and editor raised in Florida and based in London. She reports on art, architecture, and digital culture among other things, and contributes to a range of online and print publications including the
Architectural Review, Artsy, artnet News, frieze, Elephant, Metropolis, VICE, and Wallpaper.
Her research interests include the crossover of high art and pop culture, mysticism and technology, spirituality and late capitalism, among other apparent contradictions. She uses her training as a social anthropologist to dig into subcultural movements occuring online and away from the screen to better understand the direction that contemporary art and architecture (and their dissidents) are moving.
Her research on urban voids has been taught in university courses in New York and Berlin, and she has presented research on internet culture, art activism and alienation in the urban commons at conferences in Lisbon, New York, and Chicago. Her work has appeared as installation, moving image, sculpture, audio, and as print and digital text, and has been exhibited in galleries in London, Berlin, Chicago, and Detroit.
She graduated with degrees in social anthropoloy and contemporary art practice University of Chicago and has since worked in publishing houses, artist collectives, galleries, and institutions in the US, the UK, and Europe, including Log in New York and the Agora Collective in Berlin. She is currently a staff writer and editor for Elephant Magazine.
For commissions and collaborations, please get in touch.
Recent print features:
→ Elephant: Issue 34 (March 2018)
Forensic Architecture: Practising Activism
→ Icon Eye (April 2018)
Agenda: Paul Maheke at Chisenhale
→ Mousse Magazine (April 2018)
Tropical Hangover: Florida's Alt-Real Art Party
→ Art Papers : Virtual Reality (March 2018)
Exit Strategies: Spirituality and Space Tourism in Late Capitalism
→ Migrant Journal : Dark Matters (May 2018)
Night Fever: Designing Club Culture
→ Metropolis Magazine (May 2018)
Body talk: Stine Deja
→ CURA 28 (June 2018)